To prepare for this contest, the play begins with the ending of another drama. Cassio is relieved of his duty as lieutenant. Iago takes advantage of this by being blunt with Othello about his wife Desdemona.
She dies asking for Othello's blessing and attempting to place the blame for her death on herself.
From the start of the play, Iago's scheming ability is shown when he convinces Roderigo to tell about Othello and Desdemonda's elopement to Desdemona's father, Brabantio. That is the destruction of all that is good.
Iago is memorable and exciting, and universally hated by audiences of Othello; we have strong feelings about him.
In the course of the story, as the good Desdemona and the evil Iago battle over him, he loses his grip on grace and slides into a state of iniquity. This once again shows Desdemona's compassion and willingness to sacrifice herself for her husband.
The end of Act 3, scene 3, is reminiscent of a wedding scene in which two people exchange vows. Venice, a respectful and honourable town is overshadowed by the war torn villages of Cyprus. In this case, the interracial element serves to emphasize the hard-won nature of the love between them, making it that much more tragic to see it undermined and ultimately destroyed.
Othello is warm, ingenuous, honorable, trusting, yet fatally credulous and Human evil in othello Iago is none of those things, but cold, deceptive, manipulative, and impervious to anything but his own perverse will.
As the play opens we are immediately introduced to the hostility of Iago against Othello. As opposed to the sprawling casts and layered stories of the other three tragedies, Othello focuses on three main characters, two of whom, Iago and Desdemona, are carrying out a contest of influence over the main character Othello.
Iago is a psychopath, and is not capable of forming affectionate relationships or feeling guilt and concern over his behaviour.
Iago, so proud of his accomplishments of underhandedness: By controlling Othello, Iago would essentially control Desdemona. Perhaps we unconsciously recognize the most with Iago's persistence to claim revenge on Othello. Iago is an expert at manipulating the distance between characters, isolating his victims so that they fall prey to their own obsessions.
Such motives actuate other people, but in the case of Iago they seem wide of the mark. Iago, as a representation of evil, has one major motivational factor that leads him to lie, cheat, and commit crimes on other characters.
It is this jealousy and the ignorance of Othello that lead to the downfall of Desdemona; the one truely good natured character in the play. Once the Turks are drowned—by natural rather than military might—Othello is left without anything to do: She becomes so worked up in her conviction that Iago self-consciously asks her to lower her voice.
Iago then manages to follow that with an opportunity for Othello to witness Cassio appearing to say lewd things about Desdemona. The second is that such evil is compatible, and even appears to ally itself easily, with exceptional powers of will and intellect.
Michael Cassio has been appointed this position. Evil "I am not what I am.
The first of these is the fact that perfectly sane people exist in whom fellow-feeling of any kind is so weak that an almost absolute egoism becomes possible to them, and with it those hard vices — such as ingratitude and cruelty — which to Shakespeare were far the worst.
If this is right, then envy also lies at the root of his actions: Desdemona, representative of goodness and heaven as a whole blames her death on herself and not Othello.
Thus credulous fools are caught, And many worthy and chaste dames even thus, All guiltless, meet reproach. Not only is it in his own nature of evil that he suceeds but also in the weaknesses of the other characters. Unlock All Answers Now Start your hour free trial to unlock this answer and thousands more, enjoy eNotes ad-free, and get the following: Desdemona's supposed infidelity is equated to treason, and Othello feels that he has no choice but to execute her "It is the cause".The tragedy of human nature in othello in his language to express the nature of evil throughout the play of othello therefore revealing the themes of hate.
The sinister aspects of human nature in william shakespeare's othello pages 3 words 1, view full essay more essays like. In Shakespeare's Othello, we tend to empathize with Othello, the honest Moor, in spite of being much more similar to Iago. We would like to imagine that Othello's actions are human nature, but deep down we understand Iago's behavior.
Essay on Evil and Human Nature; Essay on Evil and Human Nature. Words 6 Pages. The Nature Of Evil In Othello The Nature of Evil in Othello William Shakespeare’s Othello uses different and unique techniques in his language to express the nature of evil throughout the play.
Verbal twists and the characters most importantly stress the. In Shakespeare's, Othello, the reader is presented the classic battle between the deceitful forces of evil and the innocence of good. It are these forces of evil that ultimately lead to the breakdown of Othello, a noble venetian moor, well-known by the people of Venice as a honourable soldier and a worthy leader.
Notre Dame Philosophical Reviews is an electronic, peer-reviewed journal that publishes timely reviews of scholarly philosophy books. The Apologetics of Evil: The Case of Iago // Reviews // Notre Dame Philosophical Reviews // University of Notre Dame.
How has Shakespeare used Desdemona and Iago to portray the good and evil of human nature? I have to write a presentation on an aspect of Othello and have chosen to talk about how Shakespeare has used these two characters to portray the good and evil of human nature.Download